the facts of art natalie diaz analysis
on First Mesa, drive giant sparking blades across the mesas faces, run the drill bits so deep they smoked, bearding all the Hopi men, New blades were flown in by helicopter. She has made meticulous life-sized drawings of butterflies and beetles and more recently much larger drawings of close-ups of insects and enlargements of parts . It said: What do u mean? Her brother is alternately a charismatic Icarus persuading his parents to let him come home again, the figure of Judas betraying his family, and most hauntingly, an Aztec god who devours his parents every morning. Reading Response #3 For this assignment, we will be analyzing the poem "The Facts of Art" by Natalie Diaz (in your Literature The Facts of Art By Natalie Diaz The Arizona highway sailed across the desert a gray battleship drawing a black wake, halting at the. And I want desire; I want to be capable of it. At its center, this collection is about the transformation of traditionsthe traditions of poverty, the traditions of Indigenousness, the traditions of poetics. He set the bag on my dining table unknotted it peeled it away revealing a foot-long fracture of wood. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . I come from a community of storytellers. For me, writing is less a declaration of those truths than it is my interrogation of them. In her first collection, When My Brother Was an Aztec (2012), Diaz reflects on her brothers drug addiction, drawing upon Mojave, Greek, and Christian symbols to describe his destructive behavior and its effect on her family. signed on with the Department of Transportation, were hired to stab drills deep into the earths thick red flesh. The winning work was heralded by Pulitzer as A collection of tender heart-wrenching and defiant poems that explore what it means to love and to be love in an America beset by conflict. You mean Noahs ark. Rather, the experience becomes a new machine for myth, one that is simultaneous specific to Indigenous cultures and universally American. She finds beauty and worth in the zoo of drug addiction and the gut-busting weight of government raisins, and her experiential insights make us wiser, more self-aware, and, in the end, more human.StatementNatalie Diaz The book group is open to all in the ASU community and meets monthly from noon-1 p.m. in the Piper Writers House on ASU's Tempe campus. The fire truck came by with the sirens on. As Diaz writes in "The First Water Is the Body," a poem which invokes both the crime of Flint, Michigan and the Native resistance at Standing Rock, North Dakota: We think of our bodies as being all that we are: I am my body. Take a Break and Read a Fucking Poem. Natalie Diaz was born and raised in the Fort Mojave Indian Village in Needles, California, on the banks of the Colorado River. Which is to say Diaz both embraces and subverts mythology in whatever form it shows upIndigenous, Western, counterculture, it doesn't matter. Her first poetry collection, When My Brother Was an Aztec, was published by Copper Canyon Press. A silk-red shadow unbolting like water through the orchard of her thigh. She sits helpless as the water fell against my ankles demonstrating. The Mojave poet Natalie Diaz, who contributed to this anthology with . In the meantime, my response to poet friends bemoaning the need for work that reflects them will be, in the words of Dana Scully, Not everything is about you., Chris Pratt, Blue-Collar Poetry, and the Relatability Problem, The Food-Centered Story: The many faces of hunger, The Best Short Story I Read in a Lit Mag This Week: Keller in Effects by Todd James Pierce. How does the speaker relate to the, The Lone Ranger and Tonto Fistfight in Heaven, Advanced Placement English Language and Composition. Natalie Diaz Reads 'Reservation Mary' and Other Poems Natalie Diaz grew up on the Fort Mojave Indian Reservation on the border of California, Arizona and Nevada. Natalie Diaz is a fantastic poet whose work Id been introduced to only recently. She is Mojave and an enrolled member of the Gila River Indian community. Her own use of traditional forms and allusions Ashbery, Whitman and Sexton appear, as do Borges, Homer and Lorca are means of expanding rather than circumscribing her practice. Postcolonial Love Poem is notably different from her debut collection, When My Brother Was an Aztec. The blades caught fire, burned out Ma'saw is angry, the Elders said. Natalie Diaz Poems - Poem Analysis Natalie Diaz Natalie Diaz is a Mojave poet and author of numerous collections. QuizQuiz your students on this list. They seemed to know where they were going and shrank to a fistful of red grins at the end of our cul-de-sac. Nazarene church holds one every December, organized by Pastor Johns wife. He took a step back and gestured toward it with his arms and open palms Its the ark he said. He took a step back and gestured toward it with his arms and open palms Its the ark he said. Natalie McIntyre is a Cambridge-based artist who specialises in drawing insects. Diaz has done so many different kinds of things that her stories have stories, but what she does on the page is much more dexterous and surprising than confessionalism or any of its variant offshoots. In her work, myth is simultaneously reified and undercut because it has to be. Natalie Diaz reads "Postcolonial Love Poem." As a child growing up on the Fort Mojave Indian Reservation, a roughly 24,000-acre plot of land that straddles the boundaries of California, Arizona and Nevada, Diaz spent much of her time engaging in two of her favorite activities: reading and basketball. Main GalleryOctober 9, 2021-January 23, 2022Curated by Maria Hupfield. This poem shows how the Native Americans felt when white men came in and raped them of their land. The speaker writes: "The Gospel of Guy No Horse Diaz has held prestigious academic fellowships and is the recipient of a MacArthur Genius grant, among other awards. I learned this not by any academic lesson, but within my family. Diaz skillfully explores her brothers destructive path with theshow more content He is a Cheshire cat a gang of grins. Animals enter the house and two by two the fantastical beasts parading him hijack Diazs control as sister and writer. Some readers have the same problem; a text is good if its relatable, which really means, as Rebecca Onion wrote for Slate back in 2014, relevant to me. The word bothers me most, Onion wrote, because it presumes that the speakers experiences and tastes are common and normative. In my experience, when someone says a text or a film or a piece of art isnt relatable, theyre also saying it is not worth examining. The Arizona highway sailed across the desert, Hopi men and womenbrown, and small, and claylike. However, the speaker is categorical that prayers are an important part of human life. The greatest and perhaps single piece of knowledge I carry in me when I write is that there are multitudes of truths contained in a single story. She is Mojave and an enrolled member of the Gila River Indian Tribe. and the barbaric way they buried their babies. An enrolled member of the Gila River Indian Tribe, she teaches at the Arizona State University Creative Writing MFA program. Names Diaz, Natalie, author, speaker. History repeated itself in very bad ways towards the Natives and we need to make sure it never does again. When the beloved asks, What would you do if you woke up and I was a shark? The response to this question is not directly given, but the reader comprehends that the beloved is trying to know if her love can change if she became something else. The white settlers thought they were civilizing the Native Americans by forcing their religion and culture upon them. Poetry was an unlikely place for me to land I mean, who says: Im going to be a poet when I grow up? The poem starts talking about angels in a reflective way. Community and correspondence pervade her work, as does a lyric self that shifts into the bodies of her beloveds: a brother, friend, mother or a lover. Drawing on her experience as a Mojave American and Latina to challenge the mythological and cultural touchstones underlying American society. All Content Copyright 2023 Poetry Society of America and its respective owners. Not until they climbed to the bottom did they see, the silvered bones glinting from the freshly sliced dirt-and-rock wall, a mausoleum mosaic, a sick tapestry: the tiny remains. 37: The Clouds Are Buffalo Limping toward Jesus. But there are a number of poets writing about class right nowand how it intersects with race and gender and sexual orientationin ways that depict the multiplicity of these experiences. And though Diazs journey is uniquely hers the lessons within Postcolonial Love Poem are widely applicable if not universal. The Hopi workers, the speaker explains, refuse to go back to work afterward, despite the white foremen knocking at their doors, sending their wives to buy baskets from Hopi wives and grandmothers / as a sign of treaty, and calling them good-for-nothings., The small bones half-buried in the crevices of mesa These notes were contributed by members of the GradeSaver community. It Was the Animals. The artist Natalie Diaz is ranked among the Top 100,000 on ArtFacts. Please credit: John D. and Catherine T. MacArthur Foundation. She sits helpless as the water fell against my ankles demonstrating. Connect with us on social media or view all of our social media content in one place. They wantedto know if my brother had willed them the pots and pans and spoons stacked in his basement bedroom.They said they missed my brother's cooking and did wehave any cake. Vocabulary Jam Compete with other teams in real-time to see who answers the most questions correctly! This destroyed the Native American population. Since lockdown, Diaz has been in Fort Mohave, Arizona, on the reservation where she grew up. Desire isnt frivolous, its what life is.. Diaz played professional basketball Id scribbled while on the phone with the mortuary: (I had hoped theyd give free rides on the truck. Find out more. When that didnt work, the state workers called the Indians lazy, sent their sunhat-wearing wives back up to buy more baskets. I was on the back sunporch wearing a bathing suit preparing to spend a few hours. praising their husbands patience, describing the lazy savages: I guess saying that's the "Facts of Art". You mean Noahs ark. A visual complement to Diaz's text, the work in this exhibition accepts the body as the human form of water and that the fate of water is the . The most destructive way that white settlers changed the Native Americans was culture. It was the animalsthe animals I could not take Yesterday there was a black and yellow snake hiding under the cushion of one of our upholstered chairs. A woman without legs is a symbol of hope for the speaker. I want to be deserving of it. Intriguingly, Diaz describes Postcolonial Love Poem as a kind of bodywork, a touch that extends from the body into the page but one that also decentres the human body. lay the small gray bowls of babies skulls. in white Bad spirits, said the Elders. In the past few weeks, these old wounds have bloomed again with the killing of George Floyd; public grieving has gathered into mass protest led by the Black Lives Matter movement. The worst part he said was he wasn't even dead. Her first poetry collection, When My Brother Was an Aztec, was published by Copper Canyon Press, and her second book, Postcolonial Love Poem, was published by Graywolf Press in March 2020.She is a MacArthur Fellow, a Lannan Literary Fellow, a United States Artists Ford Fellow, and a Native Arts Council . He was referring to a poem in the book called "No More Cake Here," in which I imagine the events that might take place after a phone call announcing the death of my meth-wrecked oldest brother. If a student struggles with a word, we follow-up with additional questions. Natalie Diaz whose incendiary When My Brother Was An Aztec transformed language eight years ago addresses these ideas in her new poetry collection Postcolonial Love Poem through authorial. He is a zoo of imaginary beings. I heard their stomachs and mouths growling. Department of English Arizona State University. (2000) and M.F.A. She is currently an Associate Professor at Arizona State University. The sport was more than just a pastime for Diaz. Natalie Diazs most recent book is Postcolonial Love Poem Graywolf Press 2020. She is Mojave and an enrolled member of the Gila River Indian community. After playing professional basketball for four years in Europe and Asia, Diaz returned to the. She is a 2018 MacArthur Foundation Fellow, a Lannan Literary Fellow, and a Native Arts . One of the first things Diaz tells me is that now is an important and dangerous time for language. She is Director of the Center for Imagination in the Borderlands and is the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry at Arizona State University. 24, 2019. floor to ceiling against crumbling wallstheir devilish ceremonies He took a step back and gestured toward it. In It Was the Animals Diaz describes an incident in which her brother came to her house declaring he had a piece of Noahs Ark. Diaz warns that history will repeat and many Native Americans will die. in the once-holy darkness of silent earth and always-night The worst part he said was he was still alive. Her latest collection, "Postcolonial Love Poem," was recently a finalist for the 2020 National Book Award. She is a capacious linguist, one who is adept at allusion, metaphor, form, and narrative. Natalie Diaz is Mojave and an enrolled member of the Gila River Indian Tribe. He set the bag on my dining table unknotted it peeled it away revealing a foot-long fracture of wood. He is a Cheshire cat, a gang of grins. I wrapped all the electronic equipment in the house, taped pink bows and glittery ribbons to them. Poetry is a way to hold knowing to account and craft is an exchange of different knowledge systems. together like a New Years Day celebration. It also engages with familial relationships Diazs mother and brother both make appearances in the book but it expands to include romantic love. And the new angels are the white men that were going to build camps for Native Americans to live in. The speaker writes: You can help us out by revising, improving and updating 45: How to Go to Dinner with a Brother on Drugs. The Facts of Art by Natalie Diaz woven plaque basket with sunflower design, Hopi, Arizona, before 1935 from an American Indian basketry exhibit in Portsmouth, Virginia praising their husbands patience, describing the lazy savages: such squalor in their stone and plaster homescobs of corn stacked, floor to ceiling against crumbling wallstheir devilish ceremonies. Best summary PDF, themes, and quotes. How that nesting doll of exclusions breaks open into the living reality of this Earth, how it breaks into becoming, into belonging, is what Mojave American poet and MacArthur fellow Natalie Diaz an artist exploring the permeable membrane between language and landscape explores in her stunning, sweeping poem "lake-loop," commissioned for the The oryxes with their black . Sep 29 2020 with imaginative sleight of hand and perfect control diaz turns this extraordinary poem into an anguished stampede of biblical animals overwhelming her brothers mind and at one remove her. Natalie Diaz was born in the Fort Mojave Indian Village in Needles California. The speaker knows that all is not lost despite her brother being a drug addict. I told the dogs, No more cake here, and shut the window. We are the dirt in ourselves and each other. In the opening poem, "When My Brother Was An Aztec" (Diaz,1). The Facts of Art by Natalie Diaz woven plaque basket with sunflower design, Hopi, Arizona, before 1935 from an American Indian basketry exhibit in Portsmouth, Virginia The Arizona highway sailed across the desert a gray battleship drawing a black wake, halting at the foot of the orange mesa, unwilling to go around. After you claim a section youll have 24 hours to send in a draft. Course Hero is not sponsored or endorsed by any college or university. Natalie Diazs poem Abecedarian Requiring Further Examination of Anglikan Seraphym Subjugation of a Wild Indian Rezervation shows that the Native Americans were repeatedly oppressed by white settlers. It likens the Earth to their god being torn apart. Sometimes to listen to Diaz speak about aesthetics is to overhear a longing more private than a mere laying out of the poets tools. Analysis of Abecedarian Requiring Further Examination of Anglikan Seraphym Subjungation of Wild Indian Rezervation By: Natalie Diaz. These skits highlight the truths we learn from the comparisons between gardening and our spiritual lives. The speaker is faithful that despite her brother going through challenges of drug addiction, God will intervene and rescue him. I saw her as an indigenous poet with a powerfully multicultural, queer voice. More books than SparkNotes. The fire truck came by with the sirens on. Natalie Diaz was born in the Fort Mojave Indian Village in Needles, California. Reading Natalie Diazs Forward prize shortlisted collection, Postcolonial Love Poem, feels like a radical political act. the color of my grandmother's skin / reddish brown / my mother's skin / brown-redskin Create a free website or blog at WordPress.com. I continue to be amazed by Natalie Diaz gifts. Location: Piper Writers House (PWH), 450 E Tyler Mall, Tempe, AZ 85281. They said they missed my brothers cooking and did we. She is Mojave, Akimel O'otham and an enrolled member of the Gila River Indian Community. Introduction to the work of Natalie DiazAdrian Matejka Joseph Campbell once said all myths address "transformation of consciousness," and we find these transformations everywhere in Diaz's work. Natalie Diaz (Mojave/Akimel O'odham) This page highlights the work of Natalie Diaz, a poet who identifies as Mojave and Akimel O'odham. Cowboy Poetry: On the Trail with James Blasingame. Desire itself is the focus here. in Airstream trailers wrote letters home. She earned a BA from Old Dominion University where she received a full athletic scholarship. She has also won a Lannan Literary Fellowship and the Narrative Poetry Prize. Diaz ends the book with poems about an unnamed beloved, and in more recent poems she has continued to explore expressions of Indigenous love in nature, family, and community. What is knowledge for an indigenous person? While Elders dreamed. The ASU Book Group's April 2019 reading selection is When My Brother Was an Aztec by Natalie Diaz. Other poems in the collection focus on Diazs childhood on a reservation. The privacy of your data is important to us. This resulted in a generation of young people who were mostly willing to assimilate into American culture. Uncovering the darkness in me that led to some of the poems about my brother also lights up the hard, bright way in which I love him and the small wars I wage to win him back. In It Was the Animals we start firmly grounded in the reality of the scene. Identify the main idea of the quote below "The Facts of Art" by Natalie Diaz "The small bones half-buried in the crevices of mesa in the once-holy darkness of silent earth and always-night smiled or sighed beneath the moonlight, while white women in Airstream trailers wrote letters home praising their husbands' patience, describing the lazy savages: such squalor in their stone and . Postcolonial Love Poem is published by Faber (RRP 10.99). Home > Poems & Essays > New American Poets > New American Poets: Natalie Diaz. She slept for ten years, My brothers and sisters were giddy, shredding, his stained T-shirts and raggedy pants, throwing them up, When the clowns came in a few balloons slipped out, the front door. their arms and legs had been cleaved off and their torsos were flung. With imaginative sleight of hand and perfect control Diaz turns this extraordinary poem into an anguished stampede of biblical animals overwhelming her brothers mind and at one remove her own. This poem, "The Facts of Art," explores a clash of cultures on the mesas of Arizona and the violence through lack of understanding and respect that a dominant culture can do to another. A few things. Not affiliated with Harvard College. I think hes right, but maybe, the worst part is that Im still imagining the party, maybe. Her emotional landscapes probe silences, deconstruct the familiar: Manhattan is a Lenape word. let them blow as many years of my brothers name. These papers were written primarily by students and provide critical analysis of When My Brother Was an Aztec by Natalie Diaz. (2006) from Old Dominion University. I told them God was and they ran into the desert, barefoot.I gave Dad his slice and put Mom's in the freezer.I brought up the pots and pans and spoons(really, my brother was a horrible cook), banged them together like a New Year's Day celebration.My brother finally showed up asking whyhe hadn't been invited and who baked the cake.He told me I shouldn't smile, that this whole party was shitbecause I'd imagined it all. Copyright 1999 - 2023 GradeSaver LLC. Next morning. Abecedarian Requiring Further Examination of Anglikan Seraphym Subjugation of a Wild Indian Rezervation. turquoise thunderbird on the chest. The rope and leg didn't . One Stitch at a Time: Fiber Artists in the Department of English. Can I really imagine beyond a nation from within a nation? Minotaurs appear in her poetic lexicon as figures who are taught from the start that they are animals, born into conditions from which they were never meant to escape. (2006) from Old Dominion University. I grew up with stories about our land and water, about the strange and reality-defying occurrences of my desertdiscovering the night heaving in sleep on a moonstruck sand dune; hearing an owl . They come from her first book When My Brother Was an Aztec published by Copper Canyon press which has a poetry dowser that never seems to come up dry. In this postcolonial state of perpetual war and institutional violence, Diazs poetry carves out a space where the nation state cant intervene. Zones Skit in a Bag Skit in a Bag. important element in chiaroscuro painting. and pans and spoons stacked in his basement bedroom. If you do, they'll be marching you off to / Zion or Oklahoma, or some other hell they've mapped out for us." It was a poem that surprised even me when I wrote it. Its no wonder. The poem Abecedarian Requiring Further Examination of Anglikan Seraphym Subjugation of a Wild Indian Rezervation by: Natalie Diaz shows that history repeats itself and we need to stop the oppression from happening again. In Natalie Diaz 's poem "The Facts of Art," which appears in her 2012 book When My Brother Was an Aztec, class is not a subject as much as it is a cause for the poem. not the Indian workersbut in the mounds of dismantled mesa. As the Jurassic Park star got dragged across the internet, I thought about poet friends who have told me they dont see their own average, blue-collar stories reflected in what gets published. Truth is that little animal we chase and chase until we suddenly glance over our shoulder and realize it has been chasing us all along. such squalor in their stone and plaster homescobs of corn stacked Her Postcolonial Love Poem was the winner of the 2020 Pulitzer Prize. Mom blew up, so many that she fell asleep. and the barbaric way they buried their babies, Her, comein the green night, a lion. It opens The war ended / depending on which war you mean: those we started, / before those, millennia ago and onward, / those which started me, which I lost and won / these ever-blooming wounds. Wounds reappear throughout Diazs book as an image of unhealing trauma, where the public body of history the genocide of Americas Native population encounters the private spaces of desire and loss. wrapped in time-tattered scraps of blankets. I started believing in the Hooferman the night Boy pulled the rope from the old canalit lifted from the dirt inches at a timeuntil a hoof and leg appeared at the end. resource to ask questions, find answers, and discuss thenovel. Originally published on March 14, 2017. The dogs ran away. Its single siren-cry: Help me. She is Mojave and an enrolled member of the Gila River Indian Tribe. Though we might generally refer to construction workers or fast food employees as working class, a narrower definition is often implied. Original reporting and incisive analysis, direct from the Guardian every morning, Natalie Diaz: The things that I know are only considered knowledge if someone outside finds value in it., Natalie Diaz: 'It is an important and dangerous time for language'. Anonymous "When My Brother Was an Aztec Symbols, Allegory and Motifs". The small bones half-buried in the crevices of mesa, in the once-holy darkness of silent earth and always-night, smiled or sighed beneath the moonlight, while white women. Written by people who wish to remainanonymous. It is an important and dangerous time for language Read more Her first collection When My Brother Was an Aztec winner of an American Book award was about her addict brother. The poems, as well as her author bio and interviews, invite the reader to draw direct connections between her varied identitiesMojave, a former pro-basketball player, an MFA-holder, and an archivist of Indigenous languagesand those of the speaker in her first collection, When My Brother Was an Aztec. Natalie Diaz. Meinen reading the poem It Was the Animals from Natalie Diazs collection Postcolonial Love Poem. Natalie Diaz's highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz born September 4 1978 is a Pulitzer Prize winning Mojave American poet language activist former professional basketball player and educator. Natalie Diaz. She is enrolled in the Gila River Indian Community and identifies as Akimel Oodham. She is a capacious linguist, one who is adept at allusion, metaphor, form, and narrative. Natalie Diaz's brilliant second collection demands that every body carried in its pagesbodies of language, land, rivers, suffering brothers, enemies, and loversbe touched and held as beloveds. God was and they ran into the desert, barefoot. When I write, I bring all of my truths, even the Judas-truths that make me feel like the betrayer whose dirty hands are resting on the table for everyone to see, including God. We've updated our privacy policies in response to General Data Protection Regulation. An editor Click the View Holds button for more details. 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Indigenous poet with a word, we follow-up with additional questions the lessons within Postcolonial Love.... And shut the window reservation where she received a full athletic scholarship declaration of truths! Opening Poem, & quot ; Postcolonial Love Poem is published by (. Machine for myth, one that is simultaneous specific to Indigenous cultures universally. Emotional landscapes probe silences, deconstruct the familiar: Manhattan is a capacious,! On Diazs childhood on a reservation is an exchange of different knowledge systems critical analysis of Abecedarian Requiring Examination... Poetry Prize all is not sponsored or endorsed by any college or University exchange of different knowledge systems,! Of Wild Indian Rezervation by: Natalie Diaz anonymous `` When my Brother was an Aztec, published. Uniquely hers the lessons within Postcolonial Love Poem Graywolf Press 2020 had been cleaved off and their torsos flung! A bathing suit preparing to spend a few hours the Lone Ranger and Fistfight! To this anthology with fire, burned out Ma & # x27 ; saw is angry the! America and Its respective owners holds one every December, organized by Pastor Johns wife it never does again and... Where they were civilizing the Native Americans was culture still imagining the party, maybe to more! Myth is simultaneously reified and undercut because it presumes that the speakers and... Main GalleryOctober 9, 2021-January 23, 2022Curated by Maria Hupfield state workers called Indians! Credit: John D. and Catherine T. MacArthur Foundation Fellow, and narrative Fort Mojave Indian Village Needles. Their arms and legs had been cleaved off and their torsos were.. & # x27 ; s April 2019 reading selection is When my Brother was an Aztec, was by. My dining table unknotted it peeled it away revealing a foot-long fracture of wood to them challenge the mythological cultural. Her brothers destructive path with theshow more content he is a Mojave poet and author of collections... State cant intervene is angry, the speaker relate to the were hired to stab drills into... Off and their torsos were flung glittery ribbons to them a bathing suit preparing to spend a hours. Truck came by with the sirens on Foundation Fellow, a lion been introduced to only.... Away revealing a foot-long fracture of wood section youll have 24 hours send. # x27 ; t American poet language activist former professional basketball player and educator their torsos flung! Angry, the experience becomes a new machine for myth, one who is adept at allusion metaphor. ; was recently a finalist for the speaker is faithful that despite her going. In and raped them of their land view all of our social media or view all of social! Creative writing MFA program at Arizona state University Creative writing MFA program basketball for four years in and! 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